Børge Mogensen was one of the most influential designers in shaping Danish modern design. He found inspiration all over the world in his quest to create everyday objects that would endure for generations. Børge Mogensen was one of the pioneers that created the foundation for the Danish Design as a culture of furniture design. His life-long ambition was to create durable and useful furniture that would enrich people’s everyday lives, and he designed functional furniture for all parts of the home and society.
Mogensen’s ideal was to create furniture with a restrained aesthetic. He believed that furniture should create a sense of tranquillity and have a modest appearance that encourages people to live their lives unpretentiously. He was acclaimed for his masterful sense of materials and proportions, and for his ability to create beautiful and distinctive furniture by emphasising simple horizontal and vertical lines and surfaces – all in an attempt to create aesthetic clear designs that were easy to produce.
While working strictly within his self-imposed dogmas, Mogensen’s artistic temperament often led him to break his formal rules without abandoning their original intent. Thus Mogensen’s furniture can be described as both modest and very self-confident - just as their creator. Throughout his life Mogensen was one of the boldest voices in the critical debate on furniture design. He often criticised his peers for surrendering their artistic authenticity in favour of short-sighted fashions, but he always welcomed innovations that he found offered real progression. Mogensen preferred to work in refined, yet rustic, natural materials such as solid oak, natural leather, wool fabrics, and brass mountings.
Mogensen was a trained cabinet-maker and furniture designer at the Copenhagen School of Arts and Crafts before entering the school of furniture design at Royal Danish Academy of Fine Arts, where he was taught by Kaare Klint and graduated in 1941. Throughout his career Mogensen continued to defend the ideals of evolutionary design progression that were essential to the Klint School, while also expanding on the tradition. Contrary to Klint, Mogensen was not only inspired by the traditional cabinet-maker’s types and crafts - instead he adapted models planned for industrial production, as well as the more informal housing that emerged in the 1960’s.
In 1948 Mogensen participated in MoMA’s international furniture competition ”low-cost furniture” together with his friend Hans J Wegner. Back home in Denmark, inspired by the exhibition, he experimented with plywood shells and fused the international modernist movement with his own design identity. Mogensen also found inspiration in ethnic arts & crafts, lithography and Japanese wooden carvings.
Mogensen’s early contribution to Danish design came right after his graduation, when he was hired as chief designer for the Danish Coop FDB. There he led a program to renew Danish furniture culture and create modern, functional and useful furniture that would be affordable for all social classes.
In 1950, Mogensen opened a private design office, and shortly after, in 1952 he began collaborating with young interior architect and entrepreneur, Andreas Graversen, who would later become owner of the Danisch furniture company Fredericia Furniture.
Mogensen received the The Eckersberg Medal 1950, as well as the highest architectural honours in Denmark, the C.F. Hansen medal, in 1972. In 1971 he and Andreas Graversen jointly received the Danish Furniture Prize for their contribution to the Danish furniture industry, and in 1972 Mogensen was appointed Honoury Royal Designer for Industry at the Royal Society of Arts in London. Examples of Mogensen’s designs can be seen in leading design museums around the world.